With an education in Bauhaus architecture and fine art, Paul Lorenz has carved an intriguing niche in the international art world: bridging the principals and immediacy of painting, drawing and sound with the logic and detail of architecture. All three media are a balance of physical structure (wood, canvas, paper); visual structure (brush strokes, scrapes, tears, lines); and color, whether overt or atmospheric, allowing the process to be the final subject. Graphite drawings are an important section of Paul’s work. Based upon drafting exercises from his years studying architecture, his drawings depict abstraction in its purest form, geometry. Though minimal in logic, the drawings contain richness in developed space and positive/negative relationships.